

Octagon is an alien gynecologist in “General Hospital” with some serious drama going down on the hospital floor. Weirdness abounds on this classic skit from Kool Keith’s alter-ego and Dan the Automator.ĭr. Chime in on the socials and let us know where we went wrong. If your favorite is missing from this list, just remember that humor is subjective and I’m just one guy.

Fugees the score chinese restaurant skit full#
Plenty of the hip-hop skits out there are simply explicit! Or there are hundreds full of bravado! Many are just voicemails left by friends! But funny? Those are few and far between! I’ve collected ten that actually had me chuckling along through the entire track. Show, Saturday Night Live, In Living Color.
Fugees the score chinese restaurant skit tv#
By funny I mean that the following sketch could straight up play as part of a sketch comedy tv series: Chappelle’s Show, Key & Peele, Mr. Dre saying “deez nuts” on The Chronic, which might have been funny in 2001, but definitely isn’t quite so hilarious anymore. I’ve listened to a LOT of hip-hop skits as research for this list and I’ve come up with a list of the FUNNIEST. Others let them be as their own singular track so you can hit next on your Discman if you hate jokes, have no joy for life and most definitely despise laughter. Some artists incorporate skits right into the song itself like Wu-Tang’s classic “Yo Meth, where my Killer Tape At?” that you can’t skip past or you’ll miss the entirety of “Wu Tang: 7th Chamber,” and nobody wants that. De La Soul, Kanye West, Wu-Tang Clan all have these hip hop interludes that are essential to the flow of their albums. Looking across the Spotify search algorithm I see dozens of playlists offering versions of your favorite albums (without hip hop skits at all) like they’re not the essential glue that holds some of these classics together. It might be easier to formulate a list of Ten Not Funny AT ALL Hip-Hop Album Skits. Plenty of them, dare I say it, are WHACK. In fact, most of them aren’t even remotely good. Some comedians can play.” - Dave Chappelle, Dave Chappelle’s Block Party It's a very strange relationship that we have. Yeah, the Chinese restaurant skit is a little dicey, but on the whole, The Score balances intelligence and accessibility with an easy assurance, and ranks as one of the most distinctive hip-hop albums of its era.“Every comic wants to be a musician. Their protest tracks are often biting, yet tempered with pathos and humanity, whether they're attacking racial profiling among police ("The Beast"), the insecurity behind violent posturing ("Cowboys"), or the inability of many black people in the Western Hemisphere to trace their familial roots ("Family Business"). Even when they're not relying on easily recognizable tunes, their original material is powered by a raft of indelible hooks, especially the great "Fu-Gee-La" there are also touches of blues and gospel, and the recognizable samples range from doo wop to Enya. Their strong fondness for smooth soul and reggae is underscored by the two hit covers given slight hip-hop makeovers ( Roberta Flack's "Killing Me Softly With His Song" and Bob Marley's "No Woman, No Cry"). Not just a collection of individual talents, the Fugees' three MCs all share a crackling chemistry and a wide-ranging taste in music.

It not only catapulted the Fugees into stardom, but also launched the productive solo careers of Wyclef Jean and Lauryn Hill, the latter of whom already ranks as one of the top female MCs of all time based on her work here. The Score's eclecticism, social consciousness, and pop smarts drew millions of latent hip-hop listeners back into the fold, showing just how much the music had grown up. Its left-field, multi-platinum success proved there was a substantial untapped audience with an appreciation for rap music but little interest in thug life. A breath of fresh air in the gangsta-dominated mid-'90s, the Fugees' breakthrough album, The Score, marked the beginning of a resurgence in alternative hip-hop.
